Last week I mailed off four pieces for the upcoming “(in) Organic” show at the Racine Art Museum. Here’s one of the pieces along with a short story describing how it came to be.
I was planning on making a loop on loop collar. I had it all sketched out at full scale. I made an 8′ long pinched snake and laid it out alongside the sketch. As I bent the snake into the tight curves that I needed for the loops I started to think that they reminded me of Gothic stone tracery. So I took it in that direction instead.
I have to admit that I’m thrilled by this accidental discovery. It combines my fascination with serpentine forms and my architectural background in a way that I never could have come up with in my head or even my sketchbooks. It wasn’t until I saw it coming together before me on the table that the ah-ha moment came.
I played with a number of variations along the way. Little by little the colors shifted to almost neutral, the curves became more regular and the clasp less complicated.
I didn’t like the first four drafts. The final piece ended up a golden stone color and close to symmetrical.
Isn’t it amazing how the best ideas arrive from unexpected directions and bonk you on the head! I can’t wait to start exploring the idea of stone tracery more when I get back to the studio in November.
(in)Organic Gallery Guide
Wikipedia on Gothic Tracery
Photo Credit
October 5, 2014 at 2:24 am
Oh wow, Maggie! This big bold direction really suits you. Love this piece. And thanks for showing the inspiration–really resonates.
October 4, 2014 at 11:20 pm
Great word smithing, too. I love serpentine gothic.